Monday, June 10, 2013

The Environment, Tourism, and Other Such Things

Two reading responses, written ages ago but forgot to post. Please pardon the very unconventional footnote formatting! And expect another reading response within 24 hours. Nag me if it fails to appear.

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Wall, The Nurture of Nature
Loo, States of Nature
Sandlos, Hunters at the Margin
Nelles, The Politics of Development
Evenden, Fish Versus Power

The five monographs that I read this week fall under a broad theme of environmental history, showing tensions of modern and anti-modern actions and ideologies and their social, economic, cultural, and political interactions. Sharon Wall’s The Nurture of Nature is a study of the articulation and search for meaning in modernity through the anti-modern leisure pursuit of children’s summer camps in Ontario. Echoing previous work on American summer camps—notably that of Leslie Paris—Wall argues that Ontario’s summer camps had an ambivalent relationship to modernity, with anti-modern nostalgia implicated in a modern regulatory project of child development. Wall’s monograph considers in particular detail the gendered and class implications of children’s camps, as well as their positioning in a colonial society and relationship to the natural environment. Wall begins by situating children’s camps as an urban response to the spatial transformations involved in modernity. Proponents of camps valued them as anti-modern pursuits, highlighting isolation from urban demands, pollution, and culture. This isolation also made camps a laboratory for studying child development, as Wall explains further in a later chapter. The very presence of camps, of course, undermined their claims to rejecting modernity; all summer camps influenced their landscapes, to varying degrees, making the land less natural.
Wall’s next point of analysis is the class dimension of children’s camps, in chapters considering elite private camps, then charitable “fresh air” camps. At private camps, Wall argues, children moved in an extension of their urban social spheres; camps often allied themselves with elite clubs and boarding schools, reflecting the class divisions in broader society and isolating children from non-privileged children and youth. These camps reflected the class backgrounds of the registered children through high fees, high-quality food and accommodation—despite an image of “roughing it” in the wilderness—and programming such as music lessons and golf that would enable children to succeed as leaders in an elite culture. This stands in stark contrast to the fresh air camps that Wall analyzes in her following chapter, which is largely a case study of the Bolton camp, located a short distance from Toronto. Unlike more northern camps which highlighted summer-long recreation in “pristine” wilderness environments, fresh air camps were premised on an assumption that working-class children needed merely fresh air and brief respite from an urban environment to improve their health. Programming at such camps was simple and regimented, reflecting their low operating costs and a goal of teaching children and youth basic employment skills and good habits, such as hard work, through arts and crafts.
Economically in between the private and fresh air camps, “agency” summer camps, run by programs such as Scouts and the YMCA, served middle-class children. Unfortunately, Wall’s monograph lacks a chapter dedicated to the workings and class formations in this type of summer camp. Wall ultimately highlights children’s camps as highly class stratified, furthering the values of upper- and middle-class society through programming for children of all income groups. This study could, however, offer a deeper analysis of other divisions among summer camps. While she analyzes some private Jewish summer camps, her consideration of this fairly large portion of the post-war camp sector is fairly limited. Peculiarly, Wall offers no consideration of therapeutic camps for children with special needs, such as the Easter Seal Society camps that opened in the late 1940s. As such, religion and disability are limited as categories of analysis in her work.
Wall does offer a substantial analysis of the therapeutic potential of private and fresh air camps, analyzing these as part of a modern experiment in child psychology, mental hygiene, and progressive education. For psychologists, camps offered a valuable controlled environment to study children. They also attempted to implement some therapeutic programming, particularly working to combat children’s shyness through fostering independence and encouraging play. At fresh air camps, social workers had an opportunity to interact with and observe children over an intensive period, to determine their social, emotional, and medical needs; this observation did not, however, generally result in long-term interventions for the children, as fresh air camp sessions were typically short. Following the Second World War, some camps served as an informal experiment for the progressive education movement, implementing less regimented and more holistic programming; notably, programming at fresh air camps continued to emphasize regimentation and adult control over children.
Wall explains how, in addition to class, residential camps reflected and reinforced twentieth-century ideas about gender and sexuality. The vast majority of camps were single-sex, with ideals of masculinity and femininity underpinning camp programming. For boys, this was often in response to fears of “modern” crises in masculinity. These camps ultimately emphasized modern rather than anti-modern gender relations, as places for the development of youth culture whether in co-educational or single-sex environments. One peculiar element of Wall’s chapter on gender and sexuality is her assertion that all-male spaces in boys camps distanced boys from “feminine” civilization; the gendering of civilization as feminine in this context contrasts to the more typical binary assignment of civilization as a male quality, an anomaly that Wall does not address.
Wall’s penultimate chapter analyzes the appropriation of “Indian” cultures at camps for children of various class backgrounds, a supposedly educational element of programming that was intended to highlight traditional, anti-modern values and foster connections to the natural world. Perhaps unsurprisingly, the “Indian” cultures portrayed in this camp programming were sometimes fabricated, building campers’ Canadian identities through a spiritual connection to the land based on legends that were crafted by camp directors. Wall notes that, in most cases, such programming did not consider the marginalized position of Aboriginal peoples in Canada at the time, and were silent as to their own location on Aboriginal land.
Wall accomplished her research through an analysis of various camp ephemera, including brochures, scrapbooks, and administrative records. She supplemented this with oral histories, which are concerningly poorly balanced; the majority of these oral histories come from transcripts in the Ontario Camping Association archives, and feature the voices of campers and staff at private camps. The brief quotations that Wall provides from these interviews portray nostalgic reminiscences of camp experiences; it is unlikely that such experiences were necessarily typical or representative of Ontario summer camps, as they are the memories of long-term campers, rather than those who did not return annually and who may have been less positive about their camping experiences.
The remaining four monographs are more focused on the environment, conservation, and natural resources. Of these, Tina Loo’s work stands out as a national rather than regional study. Loo’s intentionally broad analysis uses wildlife conservation as a way to study “shifting and conflicting attitudes toward the natural world” in the twentieth century. Loo articulates three main arguments: that change over time in wildlife conservation became structured and scientific rather than fragmented and local in the transition from the nineteenth to the twentieth century; that private actors, despite often being blamed for environmental decline, were actually key proponents of environmentalism; and that conservation was strongly sentimental, with human values and constructions being as important as science. Oddly, these arguments are somewhat different from the three arguments identified by Graeme Wynn in his foreword to Loo’s work; Wynn’s argues that Loo argues that state intervention to conserve wildlife was effective, marginalizing local views of the environment, and highlights the role of environmentalism in the colonization of rural Canada. While Wynn’s impressions are not necessarily incorrect—Loo does argue these points, albeit somewhat secondarily—it is concerning that his summary does not reflect the points that Loo so explicitly states.
Loo describes the organization of her work as following both a chronological and thematic structure; my impression is that it is more thematic than it is chronological. She begins by considering the legal regime for wildlife regulation, untangling its ideological influences of Progressivism and anti-modernism. According to Loo, the Progressivist aim, as shown through bureaucracies, was the sustainable exploitation through the “scientific management” of resources. Recreational pursuits showed anti-modernist goals, with encounters with wildlife serving as opportunities for natural healing and a return to “primitivity.” Loo’s second chapter considers initiatives to prevent the privatization of wildlife as a resource, which disguised their true aim of restricting access to only privileged groups among the “public.” This resulted in a pattern of legislation and resistance, with Aboriginal peoples arguing against Euro-Canadian assumptions that local peoples did not know how to conserve resources, and protesting the devaluation of Indigenous environmental knowledge. In these first two chapters, Loo lays out the ideological framework for the environmental movement—and, to an extent, the theoretical foundations of her own work—then emphasizes the tremendous social and economic implications of the environmental policies she analyzes.
Loo’s subsequent chapters offer case studies of Jack Miner, an influential figure in interwar conservation work, then the Hudson’s Bay Company. Miner, a private individual who held sway over public opinion, made emotional and religious appeals in his conservation work with geese, showing the importance of sentiment for environmental discussions. The Hudson’s Bay Company engaged in conservation work before the involvement of the government, seeing conservation as a social issue and thus involving local—often Aboriginal—people. To the Hudson’s Bay Company, wildlife was an economic resource, necessitating sustainable policies to achieve both rehabilitation and resource exploitation. Through these case studies, Loo shows the diversity of views and approaches to wildlife conservation that informed twentieth-century public opinion and policy.
Loo then turns to government wildlife conservation in postwar Canada, considering the actions of the Canadian Wildlife Service in forming national parks and manipulating herds of wild grazing animals; her consideration of wildlife as part of local settler agriculture and as a means of controlling Aboriginal peoples is echoed and significantly expanded upon by Sandlos. In her next chapter, Loo complicates her own analysis of grazing animals by considering the treatment of predators, with practices influenced by a variety of scientific, emotional, and economic motives. Loo argues that the concern about predators reflected both a taxonomical division of wildlife into “good” and “bad” animals, and a common view that nature needed human intervention—an idea of human supremacy that also resonates through Carl Berger’s lectures. Such human sentiments were, according to Loo, often more influential over policy than was science, with human fears of particular predators leading to aggressive killings, while other predators were revered, almost religiously. In some cases, Loo implies that Aboriginal peoples were treated as just another part of the ecosystem, to be sentimentalized and manipulated.
Loo’s last chapter considers the collaborations between private individuals, non-profit organizations, and the federal government, showing how diverse initiatives cast wildlife as an economic resource in need of management; this was particularly evident in the case of Ducks Unlimited Canada, which worked to conserve Canadian wetlands for the benefit of American waterfowl hunting. In this chapter, Loo argues that individuals and organizations that were marginalized by government conservation efforts such as game restrictions actually performed very important conservation efforts in their attempts to preserve their ways of life or economic wellbeing.
John Sandlos expands significantly on Loo’s work, detailing federal government attempts to control Aboriginal peoples in the Northwest Territories under the guise of wildlife conservation. Although his analysis occasionally reads like a conspiracy theory, and perhaps overstates the social control element in wildlife conservation, he certainly illustrates how wildlife conservation was not a neutral process. Sandlos’s text has a somewhat unusual organization, considering in turn the policies pertaining to bison, muskoxen, and caribou. This makes his work repetitive at times, and understates the connections between these facets of conservation. At several points, Sandlos illustrates the tensions between anti-modern and modern forces; for example, he argues that wildlife conservation proponents disputed popular images of Aboriginal peoples living in harmony with nature; these conservationists claimed that such a stereotype reflected pre-contact lifestyles, and not the practices of Aboriginal peoples who had been “tainted” by modernity. Strikingly, despite this apparent concern about the consequences of modernity, government officials implemented policies that imposed modernity on Aboriginal peoples through sedentary rather than nomadic lifestyles and wage labour or agriculture rather than hunting. Sandlos’s argument that conservation initiatives resulted in control and oppression of Aboriginal peoples is undermined, however, by his assertion that this imposition of power was a deliberate imposition of power over Aboriginal communities; while the pragmatic, commercial goals of conservation are clear from the evidence he presents, he does not clearly support his argument that the imposition of power was a goal of conservation, rather than a side-effect that the government encouraged.
Of potential concern, none of these three monographs offer a particularly explicit definition of modernity. Wall identifies modernity as a spatial organization, perhaps a component of urbanization. Loo and Sandlos potentially equate modernity with science. In highlighting the tensions between modernity and anti-modernity, showing how summer camps and environmentalists attempted to negotiate in modern and anti-modern constructed spheres, these three historians perhaps illustrate, collectively, how slippery ideas of modernity can be, for agents in the twentieth century as well as for historians. The modernity that emerges in these works is symbolic, an accumulation of science, policies, order, and control, rather than an absolutely defined concept. The idea of an anti-modern is similarly represented through symbols, such as wildlife, Aboriginal peoples, natural “northern” spaces, and leisure. The two are defined in relation to one another, without either ever being specifically pinned down.
This week’s final two works consider interactions between the natural and political worlds. In The Politics of Development, H.V. Nelles outlines the involvement of the Ontario provincial government in late nineteenth and early twentieth century staples industries, arguing that the province’s business-oriented strategy to development resulted in the Ontario government becoming essentially a business client. Nelles presents twelve chapters, both thematic and chronological, to analyze the role of the Ontario government in mining, forestry, and hydroelectricity. These three “new” staples industries experienced variations in Ontario’s “manufacturing condition” development strategy, which reproduced many elements of the federal National Policy on a provincial level and valued industrialization based on a northern resource base. The provincial government, according to Nelles, aggressively supported staples industries and the manufacturing industries that emerged from them, by promoting investments, granted access to resources, and creating infrastructure such as railways that would serve the needs of entrepreneurs. To varying degrees, the Ontario government controlled these industries; it owned the hydroelectric industry and strictly regulated forestry through conservation policies, while it had more limited power over mining operations.
Nelles particularly outlines how the intersection between politics and business reshaped and potentially undermined principles of responsible government. Involvement with staples resource industries became a test of ministerial accountability, where politicians were forced to balance their business roles as shareholders with their responsibility to constitutional process. This test of ministerial judgment was often less than satisfactory, as the government privileged business interests. Businesses based on staples industries could thus “use the state to stabilize, extend, and legitimize their economic power” (427). This was particularly evident, Nelles argues, during the Depression, when industrialists gained at the expense of other social groups, eroding the social sense of responsible government.
Nelles’s foreword to the second Carleton Library edition of his work addresses the limitations of his work, aside, of course, from its length. Given its publication in 1974, this monograph does not engage with elements of new social history or environmental history; consideration of racial, class, and gender inequalities, or lived experiences, are absent from his work. Nelles also analyzes natural resources more as resources than as nature, focusing on their economic and political rather than social and cultural implications. While his prefatory remarks are useful, I would have preferred to see an abridged and updated Politics of Development, rather than a reprint, perhaps integrating these social issues into Nelles’s political economics analysis.
Matthew Evenden draws on Nelles’s concept of the “politics of development” in his monograph, Fish Versus Power. This study considers the unique position of British Columbia’s Fraser River, as a large river in a populated area without damming on its main branch. The lack of damming, Evenden argues, is a result of a complex interaction between the hydroelectric and fisheries industries, shaped by transnational environmental, political, and economic concerns; scientific debates and interventions; and the province’s physical geography. Evenden’s work largely focuses on the economic and political connections in the environmental history of the Fraser River, although he does draw in some social and cultural elements—not, I would argue, particularly successfully. He does, however, illustrate the clear links between environmental history and the history of science.
Evenden opens his monograph with a discussion of rockslides at Hells Gate in 1913, triggered by railway construction, that had a dramatic impact on salmon spawning. The blockage in the river prompted scientific debate about the nature of salmon spawning, and attempts to aid the fish in swimming up the Fraser to reach their spawning streams. Unlike the conservation efforts outlined by Loo and Sandlos, work to move the fish considered limited Coast Salish knowledge of the area, combining Indigenous methods of manipulating the fish with Euro-Canadian scientific authority. In this section, Evenden brings in his first sliver of incomplete cultural analysis, suggesting that narratives in discovery showed scientists’ attempts to make meaning from their work, and that the rockslides caused changes in the cultural meaning of Hells Gate. However, he provides no examples of such narratives, or evidence of a changing cultural meaning. Despite their use of Coast Salish knowledge of Hells Gate, scientists echoed what we have already seen to be a common twentieth century concern of Aboriginal mismanagement of resources, restricting Coast Salish fishing that they believed would undermine efforts to rescue the fish. This had a long-term impact of fish shortages, increasing economic dependence on government aid.
 Evenden then turns to the issue of tributary damming, a project that would be easier from an engineering perspective and less harmful to fish. He argues that the engineering complexity of damming the Fraser River, in addition to conflicts with the fisheries, prompted alternative sites for dams, such as Coquitlam River, which was dammed in 1903. He notes that this dam caused conflict with Coast Salish people who fished in the area, but that their concerns were secondary to those of the Euro-Canadian fishery and cannery industry on the main branch of the Fraser. This debate, as with Hells Gate, involved significant scientific inquiry, part of what Evenden calls “hydraulic imperialism” (79-80). Evenden returns to Hells Gate in his third chapter, showing how scientists made meaning at Hells Gate in their attempts to study the salmon and build fishways—essentially, detours for fish around debris blocking the river. In this context, fishways were a domestication of the landscape, enabling industry to lay claim on the river.
Evenden’s next consideration is of heavy industry and its social, political, and economic implications. First, he considers the postwar demand for electricity, for which state involvement rested on considerable public support. His following chapter focuses on the aluminum industry, showing local and international iterations of a goal of modernization and competition, shaped by the Cold War context. Evenden argues that the politics of development joined and transformed local and international concerns. In the case of aluminum, there was significant conflict with the fishing industry, as aluminum required hydroelectric dams. This placed the government in a complex role, as mediator, decision-maker, and beneficiary, when interacting with industrial interests.
In his sixth chapter, Evenden finally reaches the crux of the “fish versus power” debate. This debate, he argues, was not strictly industrial, although it was dominated by industry. It provided an impetus for coalitions between otherwise disparate bodies, as fish and power each drew supporters from across social divisions and political lines. Notably, the debate paid little attention to the impact on native fisheries, and did not consider native perspectives. Rather than focusing on nature, opponents argued in terms of resources and their economic potential, as well as the symbolic links of fish with tradition and identity, and electricity as progress. Evenden argues that, unlike modern environmental debates, “fish versus power” was utilitarian rather than romantic; it is possible, although he does not consider this, that such impressions may be a result of considering Euro-Canadian perspectives exclusively. Ultimately, the length of this debate resulted in dams in the Columbia and Peace rivers in British Columbia’s north and interior, postponing further development on the Fraser. The fish versus power debate, Evenden argues in his final chapter, was influential for science, with the debate and science shaping one another. The debate gave authority and privileged access to biological knowledge, building a division between experts and amateurs, and requiring approval by scientists for further development. This also shows how a new institutional framework emerged for a bidirectional relationship between politics and science.
The arguments in these works are quite salient for contemporary economic and environmental debates. For example, Sandlos outlines how the federal government regulated large game, condemning Aboriginal people’s subsistence hunting, yet encouraging Euro-Canadian recreational hunting in some areas. One can see a more recent echo in current debates about carbon emissions in developing countries, and the desire from industrialized nations—who had themselves benefitted from unrestricted carbon emissions while industrializing—to restrict emissions elsewhere. This is, of course, not to say that global warming is a conspiracy to economically benefit privileged nations; neither, I suspect, was conservation purely a ploy to further marginalize Aboriginal peoples, although its rhetoric was evidently used to that effect. Nelles’s work also has some frightening contemporary echoes in the corporate bailouts from federal and provincial governments that have aided large industries, without corresponding social welfare initiatives to support individuals and families who are unconnected to these industries. While the Ontario government of the early twentieth century, according to Nelles, was at one with business interests from staples industries, the current government similarly privileges the manufacturing industry. If it were shorter, present members of provincial parliament could do well to read this monograph.

This reading response was cheered on by geese. They had little to say about antimodernism.


Carl Berger, Science, God, and Nature
Karen Dubinsky, The Second Greatest Disappointment
Patricia Jasen, Wild Things

Broadly, this week’s texts consider concepts of construction and the landscape in Canada since the nineteenth century. Carl Berger’s series of lectures shows how natural history was an important component to the extension and diversification of science in nineteenth-century Canada, illustrating the interconnectedness of science, aesthetics, and religion. Patricia Jasen’s study of tourism in Ontario shows Euro-Canadians’ search for meanings of wilderness, arguing that the key theme in nineteenth-century Ontario tourism is the tension and interplay between notions of civilization and wildness, produced and recast for political, social, and economic purposes.[1] Karen Dubinsky’s work is more multifaceted, weaving together analyses of tourism and sexuality by studying honeymooning at Niagara Falls. Her work considers the shifting cultural meanings of Niagara Falls and tourism more broadly by examining tourist scripts and deviations from norms in tourism, carefully intertwining the study of tourism with the study of honeymoons and hegemonic heterosexuality. Dubinsky’s consideration of landscape and tourism expands on Jasen’s analyses of Niagara Falls, while Jasen’s argument that tourism furthered expansionism echoes Berger’s assertion that the organization of science locally, nationally, and internationally resembled the political structures of provincialism and centralization.[2]
Berger’s Science, God, and Nature is the only one of these three texts to consider the role of religion in interpretations of the natural world. His three lectures parallel his title, and chronologically consider the emergence, activities, and decline of natural history in Canada. His first lecture, “Science,” details the role of the metropolitan centre in initiating scientific efforts, describing the parallels in natural history pursuits between Britain and Canada. According to Berger, natural history in Canada was a broad and accessible activity, with religious and colonial motivations. Despite the connections between Canadian naturalists and British institutions, and the American influences on the field, Canadian naturalists felt a self-conscious patriotism in their work.[3] Subsequently, in “God,” Berger shows how naturalists blended scientific goals with aesthetic and religious appreciation of the natural world, seeing nature as a “product of divine activity;” this made natural history a natural theology, and evangelical rather than simply practical. Scientific study was thus an “act of worship” and a moral discipline that enabled men to learn about God. In his final lecture, “Nature,” Berger outlines the impact of Darwin’s theories of evolution on natural history. According to Berger, Darwinism destroyed the link between science and faith that was central to natural history. This had a contested reception in Canada and an ambiguous legacy, resulting in a higher status of the sciences and greater specialization and segmentation between scientific disciplines.[4]
Patricia Jasen’s monograph, Wild Things, considers tourism in Ontario between 1790 and 1914, an era of imperial expansion and concern for racial health. Her work progresses chronologically, but chapters are divided thematically and geographically. Jasen’s main themes of analysis are the role of imagination in tourism and tourism in colonization, and the class and gender implications of these processes. Her introduction powerfully demonstrates the symbolism of Ontario’s wilderness for tourism and as a means of measuring the progress of civilization. She introduces Mary Louise Pratt’s concept of the contact zone, which she uses throughout her text to conceptualize the interactions between tourists and Native peoples. Jasen highlights the racial underpinnings of tourism, situating native peoples as a relic from the past in European imaginings of their own civilization, and presenting the wilderness as a matter of perception rather than reality. Jasen’s first main chapter focuses on Niagara, which she presents as a prototype and embodiment of romantic tourism. Niagara, for the tourists who visited it, was symbolic of New World subliminality, danger, and mystery, structured through romantic values. This symbolism developed an air of irony as Niagara Falls became more commercial and less wild through more tourist involvement. Jasen next studies tourism along the St. Lawrence river, showing how it became a panoramic landscape rather than a wilderness, and a moving destination that connected other experiences for tourists.
The strength of Jasen’s work lies in her analyses of more northern regions of Ontario; analyzing the Lake Superior area as a space of wilderness, symbolic of primitive life in a primordial world, Jasen shows how Native presence became central to tourist experiences.[5] This is where Jasen begins to make significant use of Pratt’s concept of contact zones, pointing out that Ojibwe peoples living around Lake Superior had some extent of agency, acknowledging that this is not always immediately clear in her selected primary sources. Newspapers portrayed the Lake Superior area as a frontier, and the press and travel writings presented Ojibwe peoples in generic, vague, and idyllic terms, without consideration of colonial conflict; in these sources, encounters between Ojibwe peoples and tourists were voyeuristic and brief. Unlike the Niagara and St. Lawrence areas, the subliminality of the Lake Superior region was not compromised by tourist traffic, making it a symbolic space indicating the movement from the past to the future.
Jasen’s penultimate chapter moves southward, considering the role of rest cures in tourism, particularly in the Muskoka area. Rest cures show the connection between tourism and ideas of racial health, positioning holidays as a means of recovering from the ill effects of civilization by enabling upper middle class and elite Torontonians to seek their inner wildness. Tourist literature in the late nineteenth century presented the Muskoka area, unlike Niagara, to have the potential to soothe through its purity and serenity. The end of this chapter briefly considers tourism closer to Toronto, particularly on the Toronto islands, where tourists segregated themselves according to class, enabling the working classes to experience some elements of rejuvenation in a natural area without impeding on upper class sociable relaxation.
Jasen’s final chapter on the relationships between tourists and Ojibwe guides makes further use of the contact zone, arguing that the relationship between white tourists and their guides became a way for tourists to consider ideas of primitivity and civilization in their writing, showing the ambiguity and contested meanings of these concepts. Once again, Jasen’s choice of sources means that the guides have a limited voice. Although she suggests the potential for using oral history to learn their perspectives, there is evidence that these guides found their work to be economically viable and were able to maintain dignity and control even in their unequal working relationships. Nonetheless, these guides were marginalized as mere images for the tourists; while they were praised as useful for tourists’ survival, they were more prominent as an alluring image of the wilderness. Jasen ultimately concludes that there was little change in the aesthetics of tourism through the nineteenth century. More broadly, she argues that the tourist industry paralleled national growth, resource exploitation and immigration; tourists asserted their rights to presence in the contact zone and reproduced racial and class prejudices that aided the expansionist cause.[6]
Karen Dubinsky, in The Second Greatest Disappointment, studies tourism at Niagara Falls, focusing on heterosexuality as expressed through honeymooning. She describes the honeymoon as a “public declaration of heterosexual citizenship” and Niagara Falls as a “theme park of heterosexuality,” setting the stage for chronologically ordered yet thematically meaningful chapters that interweave themes of sexuality and tourism. Following her introduction, Dubinsky begins the body of her analysis by exploring the imaginary geography that made Niagara the first honeymoon site in the world, studied through advice manuals and semi-fictionalized sexual memoirs. Dubinsky indicates the sexual symbolism of Niagara Falls as a place of both pleasure and terror, and as an icon of femininity; the imagery in memoirs and poetry describing Niagara Falls showed it as quite sexualized. Next, Dubinsky considers the racialization of tourist experiences, using Pratt’s theory of contact zones to emphasize the unequal relationships and interactions that enabled white Europeans to know and claim the falls through their writings as tourists. In these writings, Niagara Falls and the Native peoples who lived nearby held images of both tameness and wildness, making it alternately desirable and disappointing in tourist narratives.
Economic and class issues are a pervasive theme through Dubinsky’s work. Dubinsky’s fourth chapter considers the conflict between entrepreneurs and local authorities concerning ownership of the areas surrounding the falls. This conflict illuminated ethnic and racial stereotypes held by residents of the Niagara area, and by the historians who have subsequently studied this conflict. In writing about claims for the land surrounding the Falls, Dubinsky’s analysis would benefit from more closely considering Aboriginal claims to the land, on both sides of the Niagara river and the Canada-US border. Describing the efforts of the Niagara Parks Commission to regulate the behaviour of entrepreneurs and visitors to Niagara Falls, Dubinsky argues that visiting Niagara Falls “was a social act, embedded in human relationships.” Heavy industry became another element of the social and physical landscape; the “industrial sublime” became part of the attraction for tourists, integrating industrial activity with tourism and reconciling otherwise incompatible economic sectors. Industries remained central to Niagara’s economic, social, and political life outside of tourism; the Shredded Wheat company, for example, acted as a business, tourist destination, and venue for social and community activities.[7] The economy is also central to Dubinsky’s next chapter, which analyzes the impact of 1920s and 1930s economic changes on Niagara tourism. Economic fluctuations in these decades necessitated inventive marketing strategies to appeal to tourist values. Illuminating the falls at night, for instance, was an example of the technical sublime and a means of encouraging overnight stays in the area. These fluctuations also exacerbated conflicts between tourism entrepreneurs, widening the racial, ethnic, and class divisions in the service industry.
Dubinsky’s remaining chapters consider sexuality in more detail. She outlines, for example, how journalists and travel writers used Niagara Falls to see into private lives as sexuality became more visible and more obviously sexual. During the 1940s and 1950s, heterosexuality became a potential concern, needing to be distinguished from homosexuality, and, particularly in the United States, was a matter of public health and scientific, national duty. With this visibility, working-class and gay couples began to imitate honeymooning, previously the purview of middle-class, white, heterosexual couples. This was partially a response to marketing of the honeymoon, often through gimmicks and tricks, and partially a result of Niagara’s position as a simultaneously exotic and affordable destination, patriotically close to home. Niagara became symbolic of the tourism boom in postwar Canada, and highlighted the cross-border rivalry between Canada and the USA, as a national rather than merely commercial concern. While Niagara Falls was boosted in popularity through media visibility, such as in a 1952 film on Niagara honeymoons, it was increasingly criticized as tacky and corrupt, losing its allure for the elite and becoming a working-class bawdy destination that juxtaposed natural grandeur with commercial sleaze.
Returning explicitly to the honeymoon, Dubinsky outlines how it became still more obviously sexual, to the extent that “Niagara” became a euphemism for talking about sex. Sex was central to the imaginary geography of Niagara Falls in the late twentieth century, integrated into local commercial ventures, with entrepreneurs showing awareness of sexuality as performed.[8] Dubinsky concludes by discussing the decline of Niagara Falls as a tourist destination, particularly for honeymoons, speculating on a possibility for it to become a gay and lesbian tourist destination for honeymoons as heterosexual couples go elsewhere.
There are conceptual links worth probing that connect these three works, or pairs within this group of three. While gender is present throughout Dubinsky’s analysis, it is less so in Berger’s and Jasen’s works. Women’s participation in science and tourism is thus a more exceptional element that each historian considers. Berger describes Catharine Parr Traill’s work on botany as a rare example of women’s participation in nineteenth-century natural history in Canada. Parr Traill blended scientific and literary ideas and expressions by examining her own emotional responses to nature.[9] Berger does not particularly consider the gendered elements of this work, but does mention that this was a somewhat socially acceptable pursuit for a woman of her class. The experiences of women as naturalists more generally do not figure much in Berger’s work. Jasen considers women’s experiences somewhat more broadly, noting that while women certainly participated as tourists, their voices in travel writings were often overshadowed by those of men. However, some women indicated being somewhat less constrained while travelling on rest cures than in their urban lives, using tourism as a way to temporarily redefine their identities.[10]
Anxieties over industrialization figure prominently in Dubinsky’s and Jasen’s monographs. Jasen shows how concerns over the impact of civilization on indigenous peoples, the landscape, and white urban society was important to the formation of the tourist industry. Dubinsky considers the economic implications of industrialization on the tourist industry. Collectively, both historians show how the tourist industry used social concerns to their advantage. Interestingly, this did not occur with the natural history that Berger analyzes; major changes to science could not be incorporated into main paradigms of knowledge. Of course, science and tourism are not really comparable in this sense, but the connections between science and tourism would be an intriguing subject for further analysis.
Portrayals of native peoples are also a potential point of comparison. Berger describes how naturalists studied native peoples alongside plants, as specimens at risk of extinction.[11] Similar tropes appear in Jasen’s work, where native guides were images of the wilderness, primitivity, and decline.[12] Dubinsky also indicates how tourists saw native peoples as part of the natural landscape, and symbolic of the wilderness.[13] One potential absence in the work of all three historians is considering whether these images were part of the aesthetics that all three describe, as Berger links nature and science with appreciations of aesthetics, and Jasen and Dubinsky both analyze the aesthetic representations of natural landscapes.




[1] Jasen, 28.
[2] Jasen, 152; Berger, 23.
[3] Berger, 3-5, 10, 11, 22-23.
[4] Berger, 32, 33, 46, 53, 76.
[5] Jasen, 4, 14, 16, 17, 19, 29, 30, 54, 56, 78-79, 80.
[6] Jasen, 91, 95, 98-99, 105, 124, 127, 133, 136-137, 140, 134, 150, 152.
[7] Dubinsky, 1, 3, 25-28, 41-45, 59-60, 63, 87, 95, 105, 106, 112-114.
[8] Dubinsky, 124, 150, 155, 160-162, 173-175, 178-179, 198-208, 224, 227, 235.
[9] Berger, 35-36.
[10] Jasen, 152.
[11] Berger, 41.
[12] Jasen, 134.
[13] Dubinsky, 61

Monday, April 15, 2013

Forgot to post...Griffiths and Keough, and Mills


Griffiths, N.E.S. From Migrant to Acadian: A North American Border People 1604-1755
Keough, Willeen. The Slender Thread: Irish Women on the Southern Avalon, 1750-1860.

Willeen Keough and Naomi Griffiths offer substantial contributions to the history of what is now Eastern Canada, focusing on Acadia and the Southern Avalon, respectively. The research and detail in both monographs shows in these comprehensive histories. Theoretically, both works are linked by discussions of liminality—although this is not the particular language that either historian appears to use.
Griffiths presents an analysis of the formation of Acadian identity, in the form of a chronologically arranged critical narrative. While previous historians have focused on the Acadian deportation and its aftermath, Griffiths bases her monograph around the period up to the deportation in 1755. She analyses the Acadians as a people worthy of study in their own right, emphasizing that they were distinctive as more than a “folk society.”[1] She also considers the Acadians as an example of the formation of “national” identity. According to Griffiths, Acadian identity was shaped by their position as a “border people;” this same position led to their political conflicts with and subsequent deportation by the British. Tracing Acadian history from initial settlement in Mi’kmaq territory until the deportation, Griffiths closes empirical gaps in the history of the Acadians, while illustrating how their experiences were influenced by their very particular social, economic, and political local, regional, and trans-Atlantic circumstances. If one is looking for an empirically comprehensive, well-researched history of the Acadians, it is hard to find fault with this monograph. It is, however, occasionally hard to follow Griffiths’ arguments, as the extent of detail can become overwhelming.
Keough’s work is theoretically more complex. Through a gendered analysis, also informed by ethnicity and class, Keough considers how women made meaning from their experiences of immigration and community formation. Keough clearly illustrates that plebeian Irish Catholic women in the Southern Avalon had a very specific experience of community building that cannot be summed up as part of an “amorphous” white settler society.[2] These women’s economic position was key in affording them power in their homes and communities, and limiting the scrutiny that they were otherwise subject to due to their Irish Catholic religion and ethnicity. Keough’s research is extensive, and very visible in her monograph; readers using an electronic copy can follow links to some of her primary sources and oral histories. Alongside her critical discussion of her own methodology, this visibility leaves little room to scrutinize her empirical findings. Keough’s methodology draws from several approaches, blending them to access the history of an otherwise nearly invisible group. Keough employs empiricism and poststructuralism to consider the “interplay between rhetoric and reality,” and blends oral histories with documentary evidence, considering women’s experiences as the equivalent of text for discourse analysis.[3]
Unlike Griffiths, Keough organizes her monograph thematically; this makes it somewhat harder to follow changes and developments on the Avalon peninsula, but elucidates Keough’s arguments and analytical goals. Keough’s main themes of analysis, in chapters of varying length, include migration and demographics, the construction of identity through work, women’s relationship to informal power, the justice system, and various sources of sexual regulation. Her penultimate chapter considers those women who were not Irish, Catholic, and plebeian, briefly outlining their situation to show the specificity of the predominant Irish Catholic plebeian women’s culture and identity in a broader colonial context. While elite women’s lives were increasingly circumscribed through the eighteenth and nineteenth centuries, Keough argues that plebeian women maintained a significant degree of power.
It is in her use of certain terms that Keough could be criticized. What, for instance, precisely constitutes “power”? It is surprising, given the depth that Keough provides for her case studies, that she does not break this down further. Similarly, the textile metaphor in her title is somewhat perplexing; I found it to be unclear whether the “thread” was women’s migration and ties to place, or the women themselves. Similarly, there is no explanation for why the thread is “cast off” at the beginning of the work, and “cast on” at the end – the exact opposite as when knitting. More consideration of the theory behind gender, power, and class would be welcome in a work that is otherwise so transparent.
Liminality plays into both of these monographs. In Griffiths’ work, this is largely geographic, or at least geo-political, as the Acadians were situated between the French and British, New France, Mi’kmaq, and New England, constructing their identity specifically as a people between many forces. For Keough, this liminality is between the women’s marginalized position as Irish, Catholic, female, and working-class, and the power they derive from their economic importance to the Southern Avalon. Unlike their peers in Ireland, or middle-class women in the Southern Avalon, these women had a significant degree of economic independence; though legally subsumed by their husbands, women held purchasing power in their households and were engaged in trade. Their identities were neither based on domestic fragility nor on hardship, as they performed physically challenging labour in local fisheries while being tacit heads of households. Plebeian women believed that their legal concerns were legitimate, and thus accessed the justice system and modes of community support.
Keough and Griffiths both consider how settlers of European origin created identities for themselves in relation to their other ambiguous or challenging social, economic, and geopolitical surroundings. Together, they show two approaches to considering the liminality of specific populations in pre-Confederation Eastern Canada.


[1] Griffiths, xvi.
[2] Keough, 4.
[3] Keough, 9-10.


Review: Mills, Sean. The Empire Within: Postcolonial Thought and Political Activism in Sixties Montreal. Montreal and Kingston: McGill-Queens University Press, 2010.

In The Empire Within, Sean Mills situates political activism in Montreal as the result of local and global circumstances and ideological developments. By exposing the transnational links between Montreal’s movements and postcolonial thought, Mills presents a compelling example of locally-focused “entangled” history. In his introduction, Mills explains how Montreal activists engaged significantly with Third World anti-colonial theory to conceptualize the struggles of Quebec’s francophone population. In this section, Mills highlights the contradictions and ambiguities that framed and complicated Quebeckers’ self-image as a colonized people. In doing so, he articulates one of his aims, to examine the movement of theory and people and consider geographically specific interpretations of theory (7). According to Mills, decolonization as a framework, situated as part of a global language of dissent, enabled citizens to understand their oppression and their individual and collective power, yet also entailed many contradictions that at times mobilized and at times complicated political activism in Montreal.
Mills presents roughly chronological chapters outlining the development and application of postcolonial thought in various facets of Montreal’s political activism. He begins with an outline of the historical underpinnings of a view of Quebeckers as a colonized people, showing this to be a twofold product of the 1759 Conquest, followed by profound influences of American imperialism. Quebeckers drew from these experiences and history, integrating them with global postcolonial theory to situated themselves as colonized peoples, in a Manichean binary worldview that divided the colonial world into the colonists and the colonized, without room for the ambiguities that complicated the position of francophone Quebeckers in this power relation. While much early historiography of the 1960s describes this decade as a transformative period in relation to a static era of the 1950s, in this chapter Mills argues that the 1960s saw accelerated change, rather than rupture, and challenges the notion of today’s Quebec as rooted in changes from the 1960s. Mills sees such a view of the 1960s as not sufficiently cognizant of the past (19-20). Such a view of rupture and stasis in Quebec history echoes Donald Fyson’s earlier arguments about Lower Canada,[1] suggesting a trend towards emphasizing continuities in the periodization of this province’s history. While Mills does not explicitly carry this argument through his work, it is implicit in his decision to consider the 1950s and early 1970s as contiguous with, rather than separate from, his analysis of 1960s Montreal.
Following this thread, Mills’ next chapter begins by portraying the 1950s as a decade of “bubbling underground energy” among activists, despite more widespread experiences of isolation and repression (40). Mills depicts Montreal activism as it moved into and through the 1960s as spatially significant, arguing that poor neighbourhoods acted as sites of resistance, while women were active in the particular spatial context of the private sphere (46, 47). Ultimately, Mills argues that diverse movements gradually converged in the 1960s, intertwined in a discussion of Montreal’s relationship to empire (51). The language of dissent, according to Mills, was critical for this discussion: the Parti Pris was critical in forming a vocabulary that insisted that alienation was a result of the material and psychological consequences of colonization. Problematically, they created this language using pre-existing structures including a patriarchal worldview, positioning the movement as one of men’s liberation (51-53). Such rhetoric reappears in Mills’ sixth chapter, where he mentions McGill professor Stanley Gray using violent gendered language portraying Quebec’s colonization as “rape”; Mills does not carry a consideration of Gray’s gendered language any further. Activists’ language was also problematic through the silences that it entailed; portraying French Canadians as a colonized people neglected their European ancestry and position as colonizers as Aboriginal peoples (60). Mills’ analysis here is convincing, but his presentation of it has some concerning omissions. His emphasis on the spatial nature of activism in Montreal would be significantly enhanced were he to include and analyze a map to indicate these geographical movements and divisions. Similarly, his focus on the language of dissent is undermined by the absence of any sustained analysis of postcolonial discourse or consideration of his own language. For instance, Mills refers to  “Quebeckers” rather than “Québecois,” and capitalizes “White,” without analyzing this language use as meaningful.
Mills subsequently emphasizes the national and international aspects of activism, showing internationalism as central to this political project. He shows how Montreal activists drew upon Cuban self-image as “mestizaje” and on the language of the Black Power movement to metaphorically position Quebeckers as “negres blancs” (72-73, 74-75). Mills argues that this self-definition had a political rather than racial meaning, signifying Quebeckers as colonized peoples, and was appropriative rather than an expression of solidarity (76-77); it had the effect of rendering Montreal’s own Black and Aboriginal populations invisible in activist struggles, constructing the city as a place without racial discrimination (83-84). Mills’ analysis of Michèle Lalonde’s affirmation of negritude in her poem “Speak White” is the first of several missed opportunities in his work for a gendered analysis of leadership in Montreal activism and the production of language. How did Lalonde’s position as a woman affect her role and prominence in this movement? Given Mills’ argument that the language of resistance was highly gendered, the absence of an analysis of a woman’s role in producing language that was central to this movement is puzzling.
Mills’ next two chapters consider activism in the Black community and among women, respectively. Mills portrays the 1960s as a watershed for Black political thought and organization, positioning Montreal as a major centre for the convergence of local activists and global movement leaders (95). He situates Montreal’s Black resistance, particularly the Sir George Williams computer centre occupation and riots—a reaction to unaddressed racism at the college—in the context of the Civil Rights and Black Power movements across North America. Black activism in Montreal was complicated by white francophone Quebeckers claiming an identity as colonized peoples, and Black activists thus made efforts to show that these francophones were simultaneously oppressors and oppressed (115). Mills then turns to the women’s movement, showing how the women’s movement in Montreal introduced ideas into the public sphere and shaped the language of opposition (121). This is Mills’ shortest chapter, and one that could certainly benefit from a consideration of how prominent women in Montreal’s political activism created, manipulated, and responded to the language of resistance. In particular, by drawing a sharp division between Black activism and women’s activism, Mills obscures the intersectionality that almost certainly influenced activists’ experiences within the movement; how did activists such as Anne Cools negotiate a dual position of being Black and female? The Aboriginal women’s movement is another striking absence in Mills’ text; while the thrust of Aboriginal women’s activism occurred in later decades, Aboriginal women’s resistance became visible during the late 1960s through the work of Mary Two-Axe Earley, a figure who is entirely absent from Mills’ study. Also troublingly, Mills’ only consideration of activism surrounding Aboriginal communities is a brief mention of white activists working on behalf of Aboriginal peoples; there is no mention of resistance that Aboriginal peoples themselves enacted.
Mills’ sixth chapter turns to language rights, arguing that the movement for unilingualism was inextricable from Montreal’s complex, diverse political life (141). The education system was critical in this movement, which concerned the language of children’s education and the privileging of McGill as an elite Anglophone institution. This chapter shows a mix of collaboration and conflict between groups of activists; while Opération McGill français included Anglophone activists who challenged the hegemony of their own institution, the movement against Bill 63 alienated and silenced immigrant voices. Mills’ final two chapters consider the labour movement, particularly its relations with the Front de Liberation du Québec (FLQ) and its subsequent emergence as the primary locus of political activism for the 1970s. Labour activists became radicalized through a somewhat ambiguous relationship with the FLQ, catalyzed by the imposition of the War Measures Act. While this was a locally specific circumstance, Mills highlights how it coincided with global anti-imperialist politics, using a global language in conjunction with locally developed theory (189). It is in his eighth chapter that Mills evocatively describes Montreal as a “laboratory” for conceptions of empire and anti-imperial resistance (191), where postcolonial thought could be imported or conceived, refined, and mobilized. This argument is somewhat diluted by the focus on the labour movement in his conclusion.
By emphasizing that first-world and third-world histories cannot be “untangled,” Mills engages with the “histoire croissée” or “entangled history” approach to transnational history. This engagement is perhaps inadvertent; Mills does not refer to the historiography that is central to this approach. Mills’ references are primarily to local, regional, or national historiography and theory; he builds the transnational links through his own analysis. Historians such as Michael Werner and Bénédicte Zimmerman[2] would quite likely endorse Mills’ emphasis on ambiguities and the transnational movement of ideas. To engage more fully with this approach, Mills’ work could be more self-conscious, recognizing that his definition of objects and subjects is not neutral. This consciousness is not particularly apparent in Mills’ work, as he opts not to engage with certain analyses—troublingly, these are often analyses of the activist activities of marginalized peoples—but justifies his decisions on the basis that such analyses are peripheral to his main project, without considering the silences that his methodological decisions entail. Overall, Mills’ work shows a masterful use of theory, mobilized through a masterful examination of transnational linkages, but hindered through the limited consideration of the agency of peoples in Quebec who were most marginalized by colonialism.


[1] Donald Fyson, Magistrates, Police, and People: Everyday Criminal Justice in Quebec and Lower Canada (Toronto: University of Toronto Press for the Osgoode Society for Canadian Legal History, 2006), 355.
[2] See Michael Werner and Bénédicte Zimmerman, “Beyond Comparison: Histoire Croisée and the Challenge of Reflexivity,” History and Theory 45 (February 2006), 30-50.

Cycling to Port Moody as a reward for finishing a paper. Move along, then.

Friday, March 22, 2013

Three totally different political works...


Catch the late-night typo! It's in there, and I'm leaving it where it was.

Morgan: Public Men and Virtuous Women.
Stewart: The Origins of Canadian Politics.
Cadigan: Newfoundland and Labrador.

This week’s three monographs are methodologically, thematically, geographically, and temporally diverse, despite an overall link to political history. I will address them each individually, and draw out links between specific themes that appear in more than one text.
Gordon T. Stewart, in The Origins of Canadian Politics, considers the role of the pre-Confederation period in shaping long-term post-Confederation political trends, showing the impact of a colonial political system. Explaining the political divergence of Canada, Britain, and the United States, Stewart illustrates how, from the 1790s to the 1840s, the Canadas developed an extreme “court” orientation of politics, which entailed centralization and an elite-oriented strong monarchy. While Stewart never uses this particular language, it is evident that his conceptualization of the pre-Confederation Canadian “court” political landscape was characterized by hegemony, whereby reformers sought to attain power within a more or less similar political system, rather than overthrowing state structures. Stewart’s short study is divided into three main sections. The first examines the political background of Canada, the United States, and Britain, outlining the “court” and “country” systems of politics that he uses as an analytical tool through this work. The subsequent two chapters form the crux of his work, analyzing a period of instability from 1828 to 1864, then a period of stability from 1864 to 1914.
Stewart emphasizes the importance of patronage in maintaining the “court” system. He argues that patronage enabled the formation of strong political parties, a prerequisite for overall stability.[1] John A. Macdonald’s long period of dominance, for example, entrenched patronage as a legitimate and apparently natural feature of party politics.[2] Under this system, business and politics had a symbiotic relationship, resulting from the social and economic conditions that distinguished the Canadas from Britain or the United States.[3] Patronage was thus a social and political phenomenon that produced a political culture that was unable to address the complex problems that it Canada encountered during the twentieth century.[4]
Cecilia Morgan examines Upper Canadian religion and politics from 1791 to 1850, considering each aspect of society through the gendered images and languages that shaped and reflected white, middle-class urban experiences. Following from Joan Scott’s work on gender, Morgan sees gender as “constitutive elements” and “signifiers of power” for both religion and politics, and uses it as an analytical tool to blur the separate spheres that historians commonly invoke to describe gender roles through to the mid twentieth century. Considering a range of issues, such as the language of patriotism and loyalty during the war of 1812; the formation of political institutions; Methodist discourses; the inculcation of morals, mores, and manners; and performances of gender in various public settings, Morgan argues that discourses of masculinity and femininity were closely intertwined, such that public and private spheres were constructed in relation to one another, and were thus inextricable. Gendered images deployed throughout Upper Canadian society were often contradictory; for example, “family” held connotations of selfishness and nepotism, or of morality and self-sacrifice, depending on the context.[5]
The “public” is a particularly fascinating element of Morgan’s analysis. She indicates that, rather than signifying a sharp distinction between home and workplace, it was a varied, shifting concept, with differing meanings that could be mobilized according to needs.[6] It was also discursively gendered and racialized, indicating values of masculinity and femininity in Upper Canada. A “public man” connoted moral strength and public influence, building responsible government independent of corruption and patronage ties; this was a valued statement of honour. This starkly contrasts with the connotations of a “public woman,” a promiscuous sexual threat. Similarly, “public” was a racialized term; its emphasis on independence excluded Native peoples, who were assumed to be dependent on the colonial state.[7] This concept of the “public” also appears in Jeffrey McNairn’s The Capacity to Judge.  He describes “public opinion” as a collective endeavor between diverse individuals, in a free and rational intellectual space.[8] He notes, however, that women’s opportunities to be “public” were ambiguous and constrained by ideals of feminine behaviour.[9] Thus, the “public” in Upper Canada was a non-universal social and political space, one that depended upon and acted as a source of power. Morgan’s attentiveness to the gendered dimensions of this sphere provides a complexity that McNairn’s otherwise convincing work lacks.
Sean Cadigan’s history of Newfoundland and Labrador is a fairly comprehensive survey of the province’s history, with an emphasis on how labour relations and class struggles related to social, economic, and political trends. Cadigan’s chronological approach reads like a Canadian history narrative from a previous generation, starting with an archaeologically-based analysis of “prehistoric” peoples, then moving through European contact and colonization; a consideration of the social and political elements of Newfoundland’s history makes up the bulk of this work, which culminates in 2003. If being comprehensive is a strength of Cadigan’s work for the sheer volume of facts that he presents, it is also a weakness: in an attempt to write a broad history of Newfoundland and Labrador, his theoretical underpinnings are vaguely implied at best, he draws very little from primary research, and he engages with the work of other historians merely for their empirical contributions. His overall aim of exploring how Newfoundland and Labrador struggled to maintain human society in a cold-ocean environment may well be novel; this is unclear, however, for anyone who is unfamiliar with the historiography of this province.
Despite the shortcomings of his work, Cadigan offers a potentially persuasive argument against neo-nationalism in his conclusion, suggesting that the construction of nationalism in the nineteenth century was a myth that ignored marine dependence and obscured social divisions, and was ultimately merely unhelpful political rhetoric.[10] He is unclear as to the extent to which his criticism is applicable solely to Newfoundland and Labrador, or to wider regions or nations. This argument is only explicit in the final pages of this large survey; the previous chronological chapters hint at it, however, with repeated detailings of Newfoundland and Labrador’s social, economic, and political divisions. A Marxist historian, Cadigan emphasizes class stratification, showing that government policies could either produce or hinder worker solidarity, depending on other economic and social considerations. The regionalism of Newfoundland and Labrador is also keenly apparent through this text; Cadigan highlights the significance of divisions between St. John’s and outpost communities, and between Newfoundland and Labrador.
Of these three works, Morgan’s is the only one to emphasize individual voices and experiences. Stewart’s work is almost exclusively theoretical; he bounds his concise study as one on high politics, absolving him of the need to include perspectives other than those of the wielders of political power. In Cadigan’s work, the absence of individual voices is troublesome; not only does it make his work less engaging, but it reduces people, privileged and marginalized alike, to general facts about their lives. Even the working class voices that Cadigan might logically wish to expose remain unheard in this work. Morgan takes an entirely opposite approach to revealing voices, through her intensive study of language. Whereas Cadigan allows words—even problematic ones such as “savage”—to remain uncontested, Morgan critiques discourses and doctrines as they were written in Upper Canadian newspapers, reports, religious pamphlets, and a variety of other publicly-available print sources. She is intensely mindful not only of the language itself, but the privileging of particular voices, showing the power of white middle-class and elite society to create gendered discourses and spaces.
These quite divergent works consider a couple of common issues, unsurprisingly offering similarly divergent perspectives. With regard to patronage, Morgan portrays it as a potential source of corruption and emasculation, an immoral usurpation of legitimate power.[11] For Cadigan, patronage was a challenge to Newfoundland and Labrador, linked to class and sectarian tensions and divisions.[12] Stewart’s analysis is entirely different, seeing patronage as the bedrock to a stable political system. Morgan, Cadigan, and Stewart also diverge in their perspectives on responsible government. Morgan associates it with masculine privilege, while Stewart and Cadigan are more suspicious of it. Cadigan characterizes responsible government as a source of “partisan deadlock rather than stability,”[13] while Cadigan sees it as an ideal that was incongruent with the needs of Newfoundland and Labrador’s maritime society and resource base.[14] It is likely that the class- and gender-conscious analyses of Cadigan and Morgan have the potential to unravel Stewart’s elite-focused theoretical claims; I would suggest that Stewart’s theories, useful on a certain level, are nonetheless weakened by his positioning of political history in an entirely separate sphere to social history. The challenge of evaluating the claims made by Cadigan, Stewart, and Morgan is that their arguments are quite contextually specific; Cadigan’s claim that responsible government was detrimental to Newfoundland and Labrador does not, for instance, mitigate Stewart’s argument that it was a force of stability for Canada preceding and shortly after Confederation.


[1] Stewart, 60.
[2] Stewart, 71.
[3] Stewart, 84-5.
[4] Stewart, 95, 100.
[5] Morgan, 197.
[6] Morgan, 214.
[7] Morgan, 188, 196.
[8] McNairn, 7, 5.
[9] McNairn, 109, 110.
[10] Cadigan, 288, 291, 294.
[11] Morgan, 82.
[12] Cadigan, 129-130.
[13] Stewart, 59.
[14] Cadigan, 125.

I was nervous about this one


Last week I had to review my own doctoral supervisor's work. Obviously that made me nervous. I'm still not happy with my writing here, but the prof who graded it (a different prof) liked it. 

Review: Kelm, Mary-Ellen. A Wilder West: Rodeo on Western Canada. Vancouver: UBC Press, 2011.

Mary-Ellen Kelm’s A Wilder West is at once a social and a cultural history, of sport, of native-newcomer relations, and of Western Canadian settlement. Using Richard White’s “middle ground” as a call to action, and Mary Louise Pratt’s concept of the “contact zone” as an analytical tool, Kelm engages with a range of issues, such as performativity, agency, representation, authenticity, hybridity, and hegemony, as they emerged in relationships implicated in rodeo. Her work covers the late nineteenth century through to present rodeos, and is focused examining small-town and reserve rodeos in Alberta and the British Columbia interior during the early to mid twentieth century. Her main concern is problematizing the narrative of settler hegemony in rodeo, and the binary of “cowboys versus Indians” that popular culture commonly ascribes to it. Ultimately, Kelm’s conclusion is unorthodox among historians who employ the contact zone, arguing that the history of Western Canadian rodeo was more gendered than it was racialized.
A key goal of Kelm’s introduction is situating the rodeo as a contact zone, on the basis that rodeos were sites of struggle between relational systems of meaning, showing both division and commonality (9). Colonial power, in such spaces, was present but not absolute, and was perpetuated and mitigated through material and discursive structures. Kelm’s text is based around a thematic rather than a chronological organization, although there is some chronological progression through the monograph as Kelm follows the professionalization of rodeo through the mid twentieth century. Rather than linking themes to particular dates, Kelm accomplishes a thematic analysis through examining particular locations and the individuals associated with them, considering a range of such places in each chapter.
Kelm’s first chapter outlines the impact of communities on local rodeos, and of rodeos on communities, considering how rodeo entailed a performance of values and history. She also outlines the challenges for Aboriginal peoples in participation in rodeos, noting that while Aboriginal participation was critical for the financial success of a rodeo, agents with the Department of Indian Affairs hindered this, particularly in Alberta, by limiting Aboriginal mobility outside of reserves. Kelm’s key argument in this chapter is that, despite being a performance of histories, identities, and values, rodeo was not the “ritual of conquest” that other historians have portrayed (25). Instead, it was an awkward joining of history and modernity to portray communities in positive combinations of progress and nostalgia (44-48). This portrayal worked for Aboriginal as well as settler communities, representing Aboriginal pasts within the present, to demonstrate the compatibility of Aboriginal culture with modernity (56). Ultimately, Kelm shows the multi-faceted role of rodeos in Alberta and British Columbia communities, and the various meanings that these events engendered.
Subsequently, Kelm considers, in her second chapter, how communities and individuals constructed their identities using rodeo. Rodeo thus served as a contact zone for building identities and the relationships that constituted these identities. Kelm emphasizes that these identities were highly gendered. A key part of this analysis thus involves the role of “rough masculinity” in rodeo culture, and how this expression of masculinity was complicated by, and overlapped with, ideas of rodeo men as engaging in a fraternity of sportsmanship. Kelm argues that, for some Aboriginal men, “cowboy” served as a position of status, indicating how gendered identities in this context were also racialized and circumscribed by class and place. Finally, Kelm turns to her aim of uncovering affective relationships within rodeo. This is largely accomplished by analyzing a series of photographs by Chow Dong Hoy, which Kelm sees as a destabilization of ethnographic images, as Hoy portrayed his subjects as they wished to be represented, and thus made visible the hybridity that formed within the contact zone. This last element of the chapter is effective in demonstrating hybridity, but less so in demonstrating affect; the expressions of the various individuals in Hoy’s portraits indicate how they wished to be depicted, rather than necessarily how they felt.
Kelm’s third chapter is the first of three that examines the professionalization involved in rodeo’s transition into a sport, and the impact of this transition on racialized and gendered participation. The thrust of this chapter is an examination of the professional organizations that regulated rodeo and cowboys, generating a public image of cowboys as respectable athletes rather than fun-seeking amateurs. Kelm cautions that these organizations were not as “revolutionary” as they might seem to observers, as they still excluded women; Aboriginal participation, though technically permitted, was constrained by social, economic, and political structures (129-130). Kelm carries this analysis through her fourth chapter, a continued consideration of professionalization. Through the increasing bureaucratization and standardization entailed by professionalization, the rough masculinity that Kelm accounts earlier transitioned such that sporting respectability became a more dominant representation of cowboys. This was part of the Cold War masculinity that was prominent in the mid-twentieth century, emphasizing family-oriented responsibility. Rodeo families thus moved in a “liminal contact zone” with a distinct subculture that included intergenerational Aboriginal and settler families (135). Although this liminal contact zone gave somewhat more space for femininity, women had to carefully deploy concepts of femininity and family to be accepted within pro rodeo circuits (151-153).
The theme of professionalization continues in Kelm’s fifth chapter, which examines rodeos that were not part of the professional rodeo circuit, and how professionalization affected them. Rodeo served as an escape from modernity. As such, Aboriginal culture became associated with the past, and thus commodified for the tourist market. Some communities expressed concern that the move towards professionalization was excluding local rodeo participants, including Aboriginal peoples, who had a complex and declining position in the modernizing Western Canadian economy. Aboriginal women’s participation as rodeo or stampede “queens” indicated the contested representation of authenticity that rodeo organizers attempted to promote. These women, who occasionally spoke of First Nations struggles rather than merely serving as ambassadors, indicated how rodeo was a space, though restricted, that gave voice to social forces. According to Kelm, community rodeo participation, rather than being neutral, was segmented and contested.
Kelm’s final chapter is also her most compelling. This chapter emphasizes how reserve rodeos served as an expression of identity, history, and values, as contact zones grounded in a discourse of discrimination (208). The emphasis here is on affect and intimacy, through the creation of an “intimate public” and an “affective community” that sustained hope for Aboriginal cultures by deploying a hybridized “Indian cowboy” identity (206, 216). This identity disrupted the myths and binaries that characterized rodeo in popular culture, with the wider implication of indigenizing rodeo. Kelm argues that, by destabilizing the binary that separated “cowboys” from “Indians,” Aboriginal peoples were able to subvert other categories, blurring tradition with modernity, and culture with nature. This analysis grants reserve communities significant agency from their position of marginality in popular culture, and demonstrates a flexibility that is not present in usual metanarratives of conquest (217).
Beyond summarizing her argument and the empirical content of her work, Kelm’s conclusion considers the implications of her analysis, highlighting how a multiplicity of meanings, often conflicting, can come from a subaltern cultural analysis, and suggesting that historians go beyond discourses of difference to analyze individual identities. She acknowledges that some of her findings may be perceived as problematic, and therefore takes care to emphasize that, despite ultimately arguing that small towns were less racially troubled than is usually assumed, this is a disruption of the stereotypes upon which racism is based, rather than a denial of racism. Whereas some scholars emphasize racial difference in work grounded by postcolonial theory, Kelm uses such approaches to show that racialization, while important, can also render marginalized participants invisible. By emphasizing social memory, Kelm troubles many of the meanings that historians ascribe to contact zones.
There are some gaps in Kelm’s study. As an analysis of rodeo in Western Canada, it seems amiss that events such as the Calgary Stampede do not figure in this work. While this is primarily a study of small-town rodeo, it is puzzling that Kelm did not take up the opportunity to consider the potential of a contact zone between rural and urban environments in larger urban rodeos. Similarly, Kelm’s work is a transborder history, intentionally focused on Canadian rodeos. A comparative chapter would be welcome, given the involvement of American riders on the Canadian rodeo scene; to what degree did rodeos function as contact zones across the border, and what identities were constituted in American rodeos?
Some novel elements of Kelm’s work in A Wilder West include her simultaneously regional and microhistorical focus and her discussion of affect. The latter seems experimental in this work; Kelm does not apply this affective analysis through her monograph, instead considering emotional connections and intimacies only at specific points. Her engagement with the affective turn is thus effective, but exploratory rather than exemplary. It is in her combined micro-level and regional work, building connections between communities and wider rodeo culture, that Kelm’s analysis is particularly strong. This, alongside nuggets of analysis of affect, enables her to foreground the hybridity of identities of rodeo participants, and to disrupt the binaries that are produced by racialization within rodeo.

Friday, March 15, 2013

Just got this back: Review of McKay's Quest of the Folk


My field supervisor liked it! Even the clam chowder metaphor :)

Review: McKay, Ian. The Quest of the Folk: Antimodernism and Cultural Selection in Twentieth-Century Nova Scotia. Montreal and Kingston: McGill-Queens University Press, 2009.

In The Quest of the Folk, Ian McKay offers a neo-Gramscian contribution to the history of Nova Scotia, challenging hegemonic aspects of Nova-Scotian society as the result of a carefully produced and commodified “Folk” culture. Loosely situating his text within subaltern studies, McKay ultimately presents a critique of authenticity and postmodernity, with significant commentary on essentialism, commercialism, and identity.
In his introductory chapter, McKay repositions the Folk as an idea, rather than an inherent people of Nova Scotia, and establishing renowned folklorist Helen Creighton as largely responsible for furthering this idea. The Folk, according to McKay, emerged following a wider movement to counter the Enlightenment’s class divisions, secularism, and science. This emergence paralleled similar trends in the United States and Britain. The creation of the Folk was not power-neutral, but an “aesthetic colonization” (9) on the part of cultural producers. In this chapter McKay also defines Innocence as a “local variant of antimodernism” and as a mythomoteur, “a set of fused and elaborated myths,” that served as a framework of meaning (30). This motif, McKay shows, emerged largely in the mid twentieth century. The controversies surrounding this text, to which McKay responds to in the foreword to this edition, show the salience of the Folk in the early twenty-first century. This essentialist motif ties together the monograph as a study of antimodernism.
McKay’s second and longest chapter is a largely biographical consideration of Helen Creighton, outlining her intellectual influences and career collecting folksongs. McKay reveals her to be a problematic figure, rather than a hero of the Folk. He pays particular attention to Creighton’s social location, as an upper middle-class gentlewoman, and the impact of this identity and circumstances on Creighton’s work. Her research fit comfortably within the acceptable pursuits of a “gentlewoman,” and while Creighton was caught between models of nineteenth- and twentieth-century womanhood, McKay illustrates that she was unquestioning of her own class position and its implications for her research on folk songs, and used her paternalist outlook to shape an essentialist image of the Folk. McKay concludes this chapter by noting that Creighton’s research is inconsistent with that of more recent folklorists; for example, more recent scholars have shown that Creighton over-emphasized the significance on Nova Scotian folklore tradition of an English cannon known as Child Ballads. I would contend, however, that this is an unfair comparison on McKay’s part, seeing as Creighton’s research was a product of her particular circumstances and lacked the hindsight of contemporary scholars.
Following his analysis of Helen Creighton, McKay turns his attention to Mary Black, a critical figure in the handicraft revitalization on Nova Scotia. Once again, this chapter follows a loosely biographical structure in its treatment of Black’s own work, extending this to include a critique of the commercialization of handicrafts through the tourism industry. Like Creighton, Black was a problematic figure, particularly through her commercial outlook and her desire to define handicrafts in ways that symbolically tied them to, but practically distanced them from, the Nova Scotian “Folk.” While Creighton’s commodification of Folk culture was ostensibly her means of preserving and displaying it, Black’s approach focused on the needs of the tourist market rather than the Folk themselves, as McKay illustrates by outlining her calls for coordination in the designs and productions of handicrafts, and her desire for high-standard craftsmanship, even if this meant the crafts being produced by non-Nova Scotian, often European, trained craftspeople. Creighton, with what McKay termed an “entropic sensibility” (179), worked to discover Folk culture; Black, on the other hand, strived to create it in the image of her own ideals of handicrafts. By including an analysis of Black’s career and impact, McKay shows how the Folk was more significant than a nostalgic collection of folksongs—it was physically and economically tangible through the production of handicrafts.
McKay’s fourth chapter is an analysis of the spread of the mythomoteur of Innocence and its salience for the Folk themselves. It is in this chapter that McKay’s analysis loses some of its appeal. Given the limits of social history methodology, McKay notes that a consideration of the experiences and opinions of the population at large would not be possible; thus, he evaluates the prominence of the Folk as an idea by focusing on cultural works, particularly literature. From this, he infers that the Folk mythomoteur was a widespread imagining, and key as a representation of the province. At no point, however, does McKay make use of the voices of the Folk themselves; indeed, throughout this monograph they are a disappointingly silent presence. While this does not entirely discredit McKay’s argument, particularly as he acknowledges that many cultural producers who reflected the Folk were themselves Nova Scotian, it certainly undermines McKay’s claim that his work is subaltern in outlook, and is a serious gap in his work.
One particularly satisfying component of McKay’s work can be found in a short section of his fourth chapter that presents an analysis of gender and sexuality as part of the mythomoteur.  McKay highlights the connections between Innocence as an essentialist framework and the traditional family values and gender roles that proponents of the Folk assumed to be inherent in Nova Scotia as a “therapeutic space” away from the challenges of modernity (251). In doing so, he positions the Folk as a gendered category—though not as individual men and women. This illustrates the complex role of gender in antimodernism, which celebrated pre-modern gender roles of domestic femininity and thriving masculinity. These traditional roles stood in stark contrast to the realities of gender relations in Nova Scotia, which experienced changing reproductive patterns consistent with those of other parts of North America. Thus, McKay highlights the gendered nature of Innocence as an ideological formation through which “a politics of cultural selection” cherry-picked, from an otherwise modernizing society, those aspects of gender and sexuality that were anti-modern (251).
In a concluding chapter, McKay outlines his neo-Gramscian theoretical underpinnings and meditates on the utility of the Folk as a concept in post-modernity. McKay carefully distinguishes this from postmodernism, basing his ideas on the work of literary critic Frederic Jameson. McKay notes that postmodernity, while intensifying demand for images of Folk, is more accepting of the fragmentation and lack of authenticity that follows from these images. This assertion, in my opinion, bears the wider significance of McKay’s work, although this is somewhat mitigated by his taking for granted his characterization of contemporary society as situated in postmodernity. Along with his introductory chapter, the final portion of this chapter serves as a theoretical bookend to the three interior chapters, clarifying the theory that McKay applies, to varying degrees, throughout his work. In order to diminish the strength of the mythomoteur, McKay proposes a neo-Gramscian framework. In short, this approach reconciles and thus combines the strengths of Marxian political economy and Foucauldian genealogy, thus enabling an analysis of the Folk that considers power structures, rather than assuming unity. McKay roots his use of such an approach as grounded in the work of Stuart Hall, who criticizes the linguistic turn in historiography without outright dismissing it. While McKay’s preceding chapters illustrate the theory that he lays out in his conclusion, this meticulously integrated theoretical framework ultimately appears to be what he wishes he had accomplished in The Quest of the Folk, or perhaps the goal for future work. This is particularly clear in his attempt to situate his work within subaltern studies.
McKay’s characterization of his work as “subaltern” is peculiar, and problematic. This characterization is rooted in his theoretical links to Gramsci, whose thought is foundational for, but expanded by, contemporary scholars in subaltern studies. The Quest of the Folk is, however, inconsistent with many of the major tenets of this particular subfield. The present incarnation of subaltern studies is postcolonial in its paradigm, whereas McKay’s work is focused on Folk who, though economically marginalized, are largely part of a colonial white settler society—a state formation that McKay does not deconstruct. Additionally, subaltern studies emphasize “history from below.” While the major players in McKay’s work are not elite, Mary Black and Helen Creighton are certainly women of significant privilege, as are the cultural producers who form the focus of McKay’s chapter on the influence of the Folk. Through the act of cultural production, it is arguable that these cultural producers, if they were Folk to begin with, leave the Folk behind and portray them from the perspective of outsiders. This is neither history from above, nor history from below—instead, it is history from in-between. This could be a valuable positioning for an historical analysis, but it is not the paradigm that McKay lays claim to.
By leaving the voices of the Folk out of his analysis, McKay falls victim to his own criticism of Folk portrayals of Nova Scotians. In his prologue, McKay charges that the framework of the Folk entails “the reduction of people once alive to the status of inert essences as a way of voiding the emancipatory potential of historical knowledge,” calling on subaltern studies to reassert specificity and complexity (xx). While he certainly challenges the essentialist portrayals of the Folk that permeate Nova Scotian culture, his work does not use historical knowledge as a truly emancipatory force; instead, he perhaps inadvertently perpetuates the marginalization of Folk voices.
On a childhood trip to Nova Scotia, I had the privilege of encountering a sizeable bowl of clam chowder in a small cabin on a northern part of Cape Breton Island. This chowder was ostensibly world famous; indeed, it was initially exquisite. As I made my way through the bowl, spoonful after spoonful, it began to feel heavy, and the weight detracted from the overall experience of the meal. To make matters worse, I did not find the amount of clams I had been hoping for. Ian McKay’s Quest of the Folk had the same effect on my reading appetite: ultimately, his verbosity detracted from the appeal of his argument and his theoretical strengths, and the relative silence of the Folk themselves made this otherwise compelling work rather disappointing. This disappointment is only somewhat mitigated by his acknowledgement that voices of the Folk are hard to come by—it is akin to a waiter apologizing that the restaurant is out of clams, but serving chowder anyway.